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Remember, remember, the 5th of November: Weltanschauung turns 1!

On the 5th of November, Weltanschauung will turn 1. To celebrate, I’m giving away 3 signed copies of my short story collection.

41mh26eZQyL._UY250_The harbinger, the oddball, the remaining twin… Weltanschauung seeks to open your eyes to different stories, set in different worlds and at different times, but with the same theme in mind: to make you question your worldview.

This collection of short stories traverses genres, introduces a variety of characters, and shines a light on some of our deepest fears.

Challenge your perceptions.

You can enter to win a signed copy on Goodreads. Don’t forget to join me on Facebook, and let me know what you think!

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Jessica Bayliss jumps on The Bandwagon to talk about improving your writing

bayliss-new-3-5_1Jessica Bayliss is a fiction author with a Ph.D. in clinical psychology who loves all things reading and writing. Her work crosses genres including romance, urban fantasy, and horror. Although it’s typically advisable to focus on one audience, Jessica just can’t seem to settle down; she writes Middle Grade, Young Adult, New Adult and (eh hem) regular adult fiction. She is a member of the Society for Children’s Book Writers and Illustrators.

Because one cannot live on writing alone, Jessica also spends a great deal of time with friends and family. She is a lover of all animals especially one very special Havanese and one extremely ornery cockatiel. She also loves to cook, eat, and exercise (it’s all about balance, right?) and is a firm believer that coffee makes the world a better place.

Jessica is available for Skype Visits, Workshops, and talks about her books, writing, and related to her PsychWRITE workshops and webinars.

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Today I want to talk about the fluidity of books and stories. This notion has been on my mind a lot for a few different reasons. Number one, I’ve been working on revisions of my own books, and I’m a Pitch Wars mentor, so revision is on my mind in general. But I’ve also been doing reading for critique partners, and it’s not uncommon to find little inconsistencies in books that are undergoing revision, which are often holdovers from previous drafts. So, a CP may say something like, “Oh, in the last draft, the character named Bessie was actually the MC’s best friend, but my editor said I needed a little more tension so we turned Bessie into a robot shark.” Okay, maybe I’ve never heard that exact line, but you get the point.

When I think about some of my books, and some I’ve read for friends, and then think about the way these books used to be, I’m often blown away by how different the finished product is from the original.

We can also flip this around. Next time you start a new book, try asking yourself: What was this book like in its first draft? And think about all the things that might have been different. Unless the book was written by a friend (or unless the author discloses details of their revision process), we will never know. But one thing I am certain of is that every book we purchase—whether from our local indie bookstore or downloaded to our e-reader—was very different in its earliest iteration.

I use that word deliberately: iteration. Because plotting and character development are iterative processes. I think about my own revisions on my debut novel, TEN AFTER CLOSING, or the one I just sent off to my editor—a book that I revised quite a bit on my own, then re-revised for my agent. If my editor decides she wants it, I’m sure I’ll do even more revision. Both of these books have had huge changes; it’s actually hard to wrap my brain around that, especially because I (naturally) thought they were both perfect before the changes (LOL!).

If you’ve read any of my blog posts, particularly my It’s a Writer Thing blog series, you know that I believe practice is the single most important thing we can do to be successful.

So, for me, practicing that process of major revisions, literally re-imagining big chunks of my books, has been an incredible learning experience. It’s taught me to be flexible. It’s taught me that new versions of my manuscript can feel just as right—more right even—than the original version. I’ve learned things about myself too: I know that changing something I love won’t kill me. I know I can get through and come out the other end feeling even better than ever about the MS. And I know it’s like this for other writers because they’re telling me about their own revision whirlwinds all the time.

Until the day the book goes to print, it’s a fluid entity, a shapeshifter without a true face. It can be anything.

So, here’s one weird tip. Take a book you’ve written (or a short story, or even a scene), and now rewrite it in an entirely different way. I know, that sounds crazy. You worked hard on that book and you probably love it; I know I loved mine. But try it. You don’t have to keep the new version. Just try rewriting it and pretending you’re going for an entirely different feel or different genre or just a different emotional dynamic in a particular scene. Put your all into it—pretend it’s for realz—and then see how you feel about the new version.

Perhaps you’ll still love your original more. Even if you do, you might find yourself getting totally wrapped up in this new imagining of your tale. You might discover all sorts of new ideas, exciting ones. Maybe you’ll never use them (or maybe a couple will find their way in the book in the end). Regardless of which draft you prefer, you will definitely see the stories in a new light. Gone will be the false belief that books and stories are static, that there is one way to tell this tale. And, hopefully, one day when you get revisions from your agent or your editor, you’ll know that you can make any changes they ask for and love them. Because you practiced it already.

Announcing A Writer’s Path Writers Club: Creating Benefits For Writers

A Writer's Path

I’m happy to announce our new initiative: A Writer’s Path Writers Club.

After looking at the writing market for years, I noticed a need for a Writers Club of this kind. Sure, there are Facebook groups, writers groups, etc., but there aren’t many associations that are more than just a gathering of writers.

I wanted to create a club where the sole purpose of it is to solve headaches for writers. Here are some of the headaches I’m looking to solve:

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Wanted: blogger-in-residence

I have quite a large favour to ask. In January, I’ll be enrolled on a Masters by research course, a two year part-time degree. Since I already work full-time, I think it’s safe to say that my days will be fairly busy.

The last thing I want to do is close The Bandwagon. This blog has been going for a few years, steadily picking up an audience, and has been one of the best things I’ve ever done. I’m immensely proud of the work we do here – with a special thanks to our reviewers & contributors – and I strongly feel that if you have a voice, you should use it. I’ll be using the MRes to do that, and I’ve been contributing fairly regularly to The Mighty recently, but I simply won’t have the time to

I’ve got a few months before I start, so I’m putting out a call to see if there are any bloggers out there who might want to keep The Bandwagon going for me. It will, of course, remain my blog, but all content produced by the blogger-in-residence will remain theirs, and can be copied on to their own blogs too, if they wish. I’m looking for a blogger who is passionate about books and feminism, who will create semi-regular, engaging content. I’m looking for someone who is generous enough to give their time to The Bandwagon, and reap the rewards of contributing to a fairly popular blog, getting their name out there. For this reason, newbies are welcome to apply.

If you think this person could be you, please email thebandwagonreviews@gmail.com. If I can’t find anyone who wishes to take this on, The Bandwagon will, sadly, have to go a bit quiet, but I’ll be checking in whenever I can.

I don’t want to lose the Cornish Reading Challenge, so I may look for a separate blogger to run that for me. If you’re interested in this project alone, pop me an email.

Introducing: The Triangle by Nakisanze Segawa

Contributing author of Crossroads, Nakisanze Segawa is a Ugandan writer and performance poet. She is also a contributor to Global Press Journal, and to the Daily Monitor newspaper in Kampala. The Triangle is her first novel.

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It is a time of upheaval in the African nation of Buganda. Missionaries are rapidly converting people to Christianity, undermining the authority of their king and sewing discord among his people. Three characters – Nagawa, a young but unhappy bride to the king; Kalinda, a servant in the royal courts; and Reverend Clement, a Scottish priest – are swept up in forces that will change their lives and reshape the future of their nation.

While African history often has been told by Westerners rather than Africans themselves, Ugandan writer Nakisanze Segawa offers an African perspective. Her meticulously researched novel examines a critical moment in Ugandan history, and offers a surprising and fresh perspective on Africa in the days just before colonialism.

For more information, or for bloggers to request a review copy, email nagawakalinda@gmail.com.

The Triangle is available to buy in paperback and as an ebook on Smashwords.

Autumn is coming

Yesterday, I noticed the leaves were starting to fall from the trees outside our house. It might still be August, but the scent of autumn is starting to filter through on the breeze.

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Autumn is my favourite season. Cosy throws, fluffy slippers, hot chocolate. Crunchy leaves, Halloween, darkening evenings. And, of course, curling up with a good book. Autumn is the best time for getting stuck into stories, being frightened by a ghost story or thrilled by a thriller.

Each year, I try to come up with a list of books to read during autumn. A couple of years ago, I got stuck into Stephen King. The year before that, I discovered his son, Joe Hill. This year, I’m lining up a bunch of thrillers. Here are my recommendations for autumn 2017.

Last Seen Alive by Claire Douglas

Little Sister by Isabel Ashdown

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The Wolf Border by Sarah Hall

The Upstairs Room by Kate Murray-Browne

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Slade House by David Mitchell

The Witchfinder’s Sister by Beth Underdown

Her Fearful Symmetry by Audrey Niffenegger

I Am Behind You by John Ajvide Lindqvist

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What’s on your autumn reading list? Let me know in the comments below!

Don’t Close Your Eyes by Holly Seddon

I review Don’t Close Your Eyes by Holly Seddon.

Twin sisters Robin and Sarah haven’t spoken in years.

Robin can’t leave her house. A complete shut-in, she spends her days spying on her neighbors, subtly meddling in their lives. But she can’t keep her demons out forever. Someone from her past has returned, and is desperate to get inside.

Sarah can’t go home. Her husband has kicked her out, forcibly denying her access to their toddler. Sarah will do anything to get her daughter back, but she’s unraveling under the mounting pressure of concealing the dark secrets of her past. And her lies are catching up to her.

The novel takes readers back in time to witness the complex family dynamics that formed Robin and Sarah into the emotionally damaged, estranged young women they’ve become. As the gripping and intricate layers of their shared past are slowly peeled away, the shocks and twists will keep readers breathless long after the final page.

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I read Try Not To Breathe by Holly Seddon when it came out, so I knew I’d want to grab a copy of Don’t Close Your Eyes. Seddon writes classic thrillers as if it’s as easy as breathing – and perhaps it is, for her. She’s that rare talent who deserves all the credit she gets, and more.

Delving into dark subjects such as sexual assault, domestic violence, and suicide, Seddon doesn’t pull any punches. Every character is fully formed, fleshed out into life, and every incident is thrilling, engaging. Robin in particular is so real, it’s hard not to relate to her.

I love books about dysfunctional families – coming from one myself, I know just how twisted it can get. When Robin and Sarah’s mum has an affair with Callum’s dad, everything disintegrates, and their families merge into one big mess. Robin and Callum stay with her dad and his mum, and Sarah moves out to Atlanta with her mum and Callum’s dad. The distance between the sisters grows, in emotional as well as literal terms. The tangles web of their mingled families gets tighter and tighter, until something has to give.

I loved the way Seddon wrote this, engaging the reader by giving snippets of the past, interspersed with chapters from today. This style of writing, although not unique, is always enticing, and Seddon does it well. Overall, I’d say Don’t Close Your Eyes is another winning thriller.

Many thanks to the author, publisher, & NetGalley for providing me with a free review copy.

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